Singers Vocal Therapy: One Reflection About the Practice
Terapia Vocal de Cantantes: Una Reflexión Sobre La Práctica
Article Sidebar
PDF (Español (España))
FLIP
The articles must be original, must not have been published or submitted to other journals.
Once submitted to the magazine Areté. Authors should indicate in their first article.
In the letter of originality is written: Fulfilling the requirements demanded by your Journal, I send to you the article entitled: XXXXX so that its publication is considered, indicating the following:
1. It is an original article, with research topics in XXX, that complies with the rules for the publication of articles that are detailed in your journal.
2. It is an unpublished article, which has not been sent for review and is not published, partially or totally, in any other scientific journal, national or foreign.
3. There are no conflicts of interest with state or private organizations that may affect the content, results or conclusions of this publication.
4. The article has been read and approved by each of the authors, and therefore the data and references to already published materials are duly identified with their respective credit and included in the bibliographic notes and in the citations that stand out as such.
5. In the event of publication, I give free of charge all the author's economic rights deriving from the article in question, understanding the transfer of the following rights: reproduction in all its modalities, transformation or adaptation, public communication, distribution and, in general , any type of exploitation that can be carried out by any means known or known.
Main Article Content
This article is intended to reflect on the skills and
knowledge necessary for the work of the speech
pathologist interested in vocal therapy for singers, which
we call here “therapy of the delicacies”. From the axis
of the inquiry about what inhabits the existing space
between therapist and patient, it is discussed that the
understanding of the complex relationships between
the brain and the larynx, between the body and the
voice, the behavior of the respiratory musculature,
the vocal physiology involved in the different styles of
singing is only a small part of the knowledge necessary
for the therapist who seeks to act in this field. This is
relevant because there are many variables existing in a
problem presented by a singer or an actor, a problem
that may or may not be related to his artistic technique.
The discussion that this text raises is the result of the
systematization of the habilitation and rehabilitation
work of singers and actors in the city of São Paulo (Brazil),
which has been developed for 30 years. We found that
knowing the universe of the singing voice through one’s
experience with singing can help the therapist to have
more intimacy with his voice and thus facilitate the
establishment of a relationship of trust with the patien
Downloads
Publication Facts
Reviewer profiles N/A
Author statements
Indexed in
- Editor & editorial board
- profiles
- Academic society
- Bogotá: Corporación Universitaria Iberoamericana
- Publisher
- Bogotá: Corporación Universitaria Iberoamericana
To learn about these publication facts, click 
PF is maintained by the Public Knowledge Project
Article Details
Ayres, J. R. (2004). O cuidado, os modos de ser (do) humano e as práticas de saúde. Saúde e Sociedade, 13(3), 16 -29.
Behlau, M. (2001). Voz - O Livro do Especialista (Vol. 1). [Bra]: Saraiva.
Chapman, J. L. (2016). Singing and teaching singing: a holistic approach to classical voice (3 ed.). (P. P. inc, Ed.) [USA].
Damásio, A. (2018). A estranha ordem das coisas: As origens biológicas dos sentimentos e da cultura . [BRA]: Companhia das Letras.Esclapes, A. (2018). Monja coen roshi. Obtenido de O conceito de impermanência no Budismo e na psicanálise: https://www.monjacoen.com.br/textos/textos-diversos/309-o-conceito-de-impermanencia-no-budismo-e-na-psicanalise
Hearns, L. J., & Kremer, B. (2018). The Singing Teacher’s Guide to Transgender Voices. Plural Publishing.
Hirano, M. (1977). Structure and Vibratory Behavior of the Vocal Folds. In: Sawashimu, T. and Cooper. Dynamic Aspects of Speech Production, 1 3 -27.
Hirano, M. (1988). Vocal mechanisms in singing: Laryngological and phoniatric aspects. 2(1), 51-69.
Levitin, D. J. (2006). This Is Your Brain on Music: the science of a human obsession.[USA].
Nogueira, j. (2018). Vaga lume. Obtenido de Vagalume.FM: https://www.vagalume.com.br/joao-nogueira/minha-missao.html
Veloso, C. (2018). letras. Obtenido de Minha voz, minha vida: https://www.letras.mus.br/caetano-veloso/229038
Citations
